Syn :   61 Cygnus-Alpha


These 5 tracks are the last recordings from the Syn archive, that were made 
between March 2000 and April 2002. These tracks have been remastered and 
slightly remixed, but never losing the original way they were recorded in the first 
place.  A lot of analogue equipment was used exclusively on these tracks with 
the inclusion of a Roland RE-201 Space Echo and a Revox B77 tape machine 
during the original recording sessions. 


Tracks ...

 1. 61 CYGNUS-ALPHA   19:56     Play excerpt
    Equipment used: Synths, Elka organ, guitar, tape-echo, tape loops and effects

2. SEA OF ORION   20:28     Play excerpt
    Equipment used: Synths, sequencers, tape-echo, tape loops and effects

3. CRYSTAL DREAMING   26:58     Play excerpt
    Equipment used: Synths, string synth, drumcomputer, sequencers, tape-echo

4. SlLBURY HILL   6:18     Play excerpt
    Equipment used: Synths, drumcomputer, sequencers, tape-echo, effects

5. NORTHWIND   4:10
    Equipment used: Synths, sequencers, Synatron, tape-echo, effects




 Discontinued 
 

Comments and reviews ....

Some lovely deep analogue cosmic twitters reverberate and then echo into the distance as the fantastically 
spaced out 'Cygnus-Alpha' gets underway. If I were to put on more planetarium concerts I think I would play 
this over the PA as people were coming in. It would set just the right atmos. Close your eyes and let your 
mind take you to the depths of uncharted space. There is a warmth to it all though, a sort of comforting 
environment enveloping and protecting us on our journey. Some of the effects were so bass laden my 
speakers could hardly cope. From the eighth minute a lovely retro organ sound comes in giving things a 
rather 'Zeit' feel but this is more the backdrop than the main thrust, as a sort of slow moody guitar lead 
line takes the main focus. This is the only track on the album not to use sequences and the same laidback
feel initially continues through 'Sea of Orion'. A suitably watery scene is set as waves break on the shore. 
Sonic shimmers add to the peaceful setting and seabirds fly overhead. Wonderful lush analogue drones 
rise through the mix. A slow relaxed rhythmic loop appears in the sixth minute driving things forward. 
A lovely ethereal melody dreamily plays over the top. It really come to life however when the sequence 
makes an entrance. An aggressive lead line completes a compelling oomph laden picture.

'Crystal Dreaming' has a very effective organ lead that is played in quite an aggressive percussive way, 
repeating a rather staccato melody. This forms the backbone for the entire track. A delicate ticking rhythm 
falls into formation accompanied by some excellent high register splashes then angelic mellotron choir. 
The wonderful mesmerizing brew seems to become more intense by the moment. Things get even more 
powerful and awe inspiring as yet another excellent sequence is launched into this fantastic bubbling 
cauldron of sound. A new lead line meanders over the top. What a superb track! The first three mammoth 
pieces on this album totalled over sixty seven minutes of music and many would have been happy to 
leave it there but not so on this CD as we have two extra shorter tracks as well. The first 'Silbury Hill' 
explodes into life on the back of a hundred mile an hour sequence, a lead line sort of skipping over the 
pulsations. A slow snare is added enhancing the depth of frequencies deployed.

A burst of tron introduces 'Northwind' and a really nice sequence starts in its wake. A slow moody lead 
contrasts the energy oozing from the rest of the track. We finish as we started with a burst of mellotron. 
There is an honesty to this album. I don't think Syn was trying to do anything too clever, instead just 
enjoying making the sort of music he loves on the sort of retro pieces of kit that seem equally as close 
to his heart. He does have a natural feel for 70s based sequencer music and to me this comes over more 
on this album than any other I have heard by him. 

David Law / Synth Music Direct