Mooch - The Goddess and the Starman /
The Psychedelic Adventures of Mooch 
in the Country of the Yak

2CD set

Mooch reissue double header number 5

The Psychedelic Adventures of Mooch in the Country of the Yak is Steve at 
perhaps his most whimsical. The album was recorded just before Starhenge, 
and utilised many of the ethnic musical instruments that Steve had by then 
collected. The album built on all the techniques of earlier albums - the ethnic 
exploration and radio voices of The Crypt of Artificial Intelligences, the live 
mixdown delay of Postvorta, the sonic layering of 3001 and Planetfall - but 
instead of reaching out into space it explored a curious landscape half in Tibet,
half in Steve’s imagination. Tracks like Along the Trail of Stones, Death Cap 
Machine and Sparkling Wake featured a synthesizer borrowed from Cal Lewin,
who Steve had recently met, after Cal saw an article about Steve in the local 
paper. This 1994 meeting led to the classic mark III line-up, and some great 
albums... Happy days indeed. Steve does not now recall any details of the 
album concept, except that it involved a ritual journey into a semi-imaginary 
Tibet. Alas the only surviving cassette of the album holds no clues in its 
hastily written track titles, so listeners to these eleven pieces of mid-’nineties
whimsydelica (as the genre should surely be known) will just have to fill in 
the gaps themselves...


 




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The Goddess and the Starman was Steve’s first album made with a full supporting cast. 
Conceived as a concept album taking in the far past of human civilisation (all the way 
back to the Sumerians), through British-Celtic, modern, and futuristic cultures, the album 
utilised the skills of the musicians Steve had met during the early and mid 1990’s. But 
with Steve between record labels, it was never released. The album was recorded during 
1995 and 1996. Some parts used percussion recordings made live to DAT on location
near/atop Silbury Hill (in 1995 there was nothing to stop you, and the Avebury complex 
drew all the Mooch musicians in those heady days, with its magical atmosphere and 
fascinating archaeology) - while others were electronic compositions - the last time that 
Steve used the delay/live mixdown technique begun with 3001. This album marked the 
last time Steve and his 1990’s collaborators played on one work. 

In a year or so Steve would move to Devon - the mark 3 line-up dissolved. 
There would be further collaborations with Garry and Phil Watson, but these 
would be in the sequencer-heavy style that led in due course to In Search 
Of The Acid Metal Grille. This album documents those wonderful days of 
ancient British landscapes, psychedelic music, and good companionship.


CD ONE - The Goddess and the Starman
Part 1 
1. Universal Shaman
2. The Goddess
3. Anatolian Volcano
4. Ninevah
5. Iorusan the Cat
Part 2
6. West Kennet Long Barrow
7. The Starman
8. Silbury Hill
9. Sharpenhoe Clappers
Part 3
10. Celtic Sea Shards
Part 4
11. Glastonbury Tor Incident
Part 5
12. Zing Bread
Part 6
13. Gene Reversi Complex 1
14. Clot
Part 7
15. Assassination of the Bells
Part 8
16. Cat Frenzy Tribe
Part 9
17. Seeds of Metal-Glass
Part 10
18. Network 0178/Crash
19. Input: Consciousness: Andes
20. Universal Starwoman

CD TWO - The Psychedelic Adventures of Mooch in the Country of the Yak
1. Flute Machine
2. Amateur Hogs Run Amok without Socks
3. Chief Goat of the Dismal Night
4. Yak Tantrum
5. The Lice of Doom Speak Their Mind
6. Nineteen Goblets of Yaks Milk Yoghurt
7. Death Cap Machine
8. Along the Trail of Stones
9. Sparkling Wake
10. Phantasmagoric Mirror Trip
11. Slow Yak Meditation


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