| Dutch
Space Mission - Masters of Space and Time This has got to be the space/electronic release of the year. Two great exponents of the genres, Eppie E Hulshof and Bert Hulshoff have got together to produce this amazing album. Try the MySpace page to hear some extracts. |
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Tracks
... 1. Die Stimme des Alls 16.00 2. Kosmonautentraum 14.24 3. E.G.B.R.T 13.30 4. Master of Time and Space 16.35 |
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Comments and reviews .... Dutch Space Mission are really Eppie Hulshof and Bert Hulshoff. Lovely lush half vocal pads provide a soothingbut also ethereal start to 'Die Stimme Des Alls'. Gradually darker drones take a hold punctuated by some excellent twittering electronic effects. A first rate sequence gradually emerges then fades away again, keeping re-emerging and disappearing. All the time a wonderful but mournful cello melody almost weeps over the top. This is a very impressive start (with just a hint of Schulze). A deep bass throb takes over and another very Schulzian sequence rises to the surface. Things just get better and better as an additional sequence- a belting hundred mile an hour one, full of power and aggression erupts from the speakers. We build an enormous pure Berlin School head of steam then things suddenly decay to windy pads and what sounds like NASA samples as we drift off serenely into space. We continue on in a similar state
of float for the beginning of 'Kosmonautentraum'. This is well out there
cosmic stuff 'E.G.B.E.R.T.' is all rather dark
and eerie, hinting that there might be something rather unpleasant out
there. A similar The synthetic coupling of Eppie E Hulshof, a creator of heavy sequences, and Phrozenlight, a master in his way of long ambient and soporific tirades, is in conformity with its reality. Masters of Space and Time, of Dutch Space Mission, is collaboration between 2 musical illusionists to sequencers antipodes, thus the influence of Phrozenlight prevails on the multidirectional sequences of Von Haulshoven. Not that Masters of Space and Time is bad or atonics, but it is the kind of union where one puffs out the other. Die Stimme of Alls begins with synth tainted by slow and sinuous orchestrations which are moulding as such a bow on a metal surface. Fine rung circles float with a passive harmony, colouring this slow intro of a reserved life which becomes animating by the first sudden starts of a heavy and stroboscopic sequencer turning in a court artificial delirious. Space voices and sound effects calm this mini tornado to embrace the ethereal waves of a cosmic breath. Kosmonautentraum presents a similar structure, where the ambient touch dominates and restricts the sequencers moves. A little as if Hulshof gave a strong hand to Phrozenlight. And if the ambient touch, with raucous ethers attracts you, E.G.B.R.T is build to satisfy your taste. We have to wait until the title track to brush against a continuously sequential movement. Master of Time and Space takes again a light beat animate by a sequence with the bass and felted keys, like the delicate steps of a Tibetan monk. Beautiful pulsations escape filtering an environment of heavy waves which progress on a slightly more animated tangent, with clearer keys, rung which slip like a musical poem. A little as Klaus Schulze’s Crystal Lake. By far, the best track on this album. Masters of Space and Time is not unpleasant. I must admit that I expected a little more sequences and a little less of ambient, of abstract. But when the half, and more, of an album is good, we can say that Dutch Space Mission made a success of its entry. I would have appreciated to see a little more of Phrozenlight universe poetically ambient to burst under the explosive sequences of Eppie E Hulshof, it is the opposite. Making of Masters of Space and Time, a continuity of Phrozenlight works. A good album which leaves us on our appetite. Sylvain Lupari / Guts of Darkness
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