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Reviews ...

Brendan Pollard donates his awesome twenty-minute 'E-Live 2006 Rehearsal' to get this double CD set 
underway. The initial sounds are as if vast objects are being hurled into the sea accompanied by all sorts 
of weird whooshes and twitters. A superb combination of sequences emerge from the aquatic depths. 
These meld rapid melodic runs as well as bass pulses. It is all underpinned by some wonderful mellotron. 
In other words Berlin School Heaven. More sequences are added accompanied by a flutey lead line. In the 
seventh minute things subside to more thick analogue sonic effects, coming out of it with a decidedly 
'Ricochet' sounding collage of sounds. Very impressive indeed. More sequences emerge including a 
sedate but wonderful three note one then an amazing one hundred mile an hour scorcher before things 
quieten down again and we get an exquisite moody finish.

More flutey synth, mellotron and twittering effects once again transport us to a blissed out mid 70s 
electronic Utopia as 'Ricochet Gathering - Gaiole Part 1' gets underway, featuring, amongst others, 
Paul Lawler, Paul Nagle and Steve Schroyder. It's another superb track that bounds forward with an 
infectious bouncy bass sequence then as the melodies come in it starts to take a rather Arcane twist 
on the early eighties Tangerine Dream sound. Very gradually the pace quickens and the excitement 
builds. Odyssey donate 'The Space Inside'. I hadn't heard of this act before but he can sure knock out 
moody atmospheric stuff. It is a very welcome return for Corporation (it must be a decade since I last 
heard anything from them!). And what a fantastic track they have given us with 'Aliens in your Midst 
(First Contact mix)'. After some very dark atmospherics we get sampled text then in comes a wonderful 
infectious beat and sublime little melody. It's a real body mover that hits the spot perfectly. If you like 
Intelligentsia, T Bass UK, Asana or Synthetik you should most certainly go for this.

Chaos Research give us the slow moody chugger 'Metropolis 2006'. It's a bit of a strange one mixing 
contemporary beats with classical leanings. Very clever. Create come up with 'Choralis System', one 
of his more atmospheric tracks which for me worked best before the slow sequence came in at about 
the half way mark but interesting throughout. Awen's 'Pink Oceans of Goom' begins with a vast wall 
of electronic twitters. A sequence fizzes and shimmers through the backing. It's all rather mesmerizing 
and trippy.

'Dreams of the Old World' by Chromengel is initially all rather cosmic but then a steady rhythm starts up. 
Acoustic guitar colouring provides contrast and fits in nicely with a tinkling sequence. There is nothing 
wrong with the track though I couldn't help feeling that it was more a sketch of ideas that could have 
been worked on a little more. I'm sure others will think differently though. 

The second disc opens with 'Storm Forge' from Xan Alexander (member of the Omega Syndicate). 
All very brooding and malevolent it is too. A rapid high register sequence contrasts the backing nicely. 
The foot is firmly put down in the second minute as an insistent rhythm drives us forward. Things reach 
euphoric proportions as an anthemic lead line soars above it all. It's one of those tracks which just begs 
to be played live - devastating stuff!

Stephen Palmer changes the style completely as we delve Space Rock realms with 'Giza Rock'. Eastern 
sounding percussion is underpinned by a dark drone out of which emerges an intense urgent sequence. 
It morphs this way and that as a vibes type lead mixes with the drums creating quite a groove. Things 
become even more exciting as some fairly heavy electric guitar rips over the top. At around the five minute 
mark the sequence starts to spit venom but this is softened a little by another gentle percussive lead. 
A similar style is maintained in 'Three Moving Parts' by Eppie Hulshof which is quite surprising as this 
is nothing like his most recent Berlin School album 'Besucher aus dem Kosmos'. A jaunty rhythm mixes 
with all manner of cosmic whooshes and an excellent bass line. A tinkling sequence takes over the 
rhythm then we slowly subside into more stellar effects and quiet relaxing drift (the second 'Moving Part' 
I presume). A new sequence emerges as we enter the rather tasty final part. Modulator ESP gives us 
'Zeta Major' and quite an eerie place it seems. Gradually some sort of structure materialises, solidified by 
a lonesome meandering lead line. Sequences start to emerge but overall its all rather trippy and laid back.

'Live at Guerilla Zoo 10 Feb 2007' by Entity is straight into a lovely chugging sequence that reminded me 
a little of 'The Nightcrawlers'. A piano(ish) lead is placed over the top but I didn't think it was as effective as 
the sequence. It seems that no compilation album is complete without a Broekhuis, Keller & Schonwalder 
track and on this one we have 'Zeitreise Ambient Mix'. I thought because of the title that it might be a 
complete drifter but no, there is a nice steady rhythm and bass line. The rhythm develops- sure it is laid 
back but not what I would call ambient. Little vocal colouring is added. A lovely piano line adds that touch 
of class. We finish with a track from Free System Project's National Space Centre concert of last year 
(10th June 2006) called 'Leicester Square'. It shows the band in dark brooding mood. As you would expect 
the sequences are masterful, nicely bass heavy but with a sort of arcing energy quality to them. 
Absolutely brilliant and a stunning way to finish the album.

David Law / Synth Music Direct